

I went dowtown this past weekend and shot a few frames with Kirk Johnston,
(ain't he sexy. note the jawline). The first shot is a sort of an existential exploration. I am intruiged with scenes like these, partially because of their naturally responsive tone they take in light of the work of guys like Thomas Kinkade, but more so because of their partially bleak portrayal of the realities of the world we live in. . . Christ's grace is sweet, indeed, as it brings meaning in the midst of these things.
The second shot is more of a fun shot, taken at a longer shutter with the aperture almost completely closed to get the starring effect in the lights. I was very pleased with the green that are tied together in this photo between the lights and the car. I put my tripod in the middle of the road and got busy.